(Robert Walker) hates his father. Please use a different way to share. Addeddate 2021-02-10 15:58:01 Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. [52], Nowhere is this more evident than the scene where Guy arrives home at his D.C. apartment to find Bruno lurking across the street; Bruno killed Miriam that evening in Metcalf, and has her glasses to give to Guy almost as a "receipt" that he has executed his part of their "deal". By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. ${cardName} unavailable for quantities greater than ${maxQuantity}. "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. and Bruno struggle as a carnival worker crawls on his stomach under the "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. Is he just lonely? Bruno wants to kill his father, but knows he will be caught because he has a motive. they're now both behind bars as he says, "You've got me acting like I'm a Another great shot shows Bruno's face in the shadow of his hat brim, [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. Bruno does murder Guy's wife, and then demands that Guy keep his half of the [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. (original music by) Cinematography by Robert Burks . Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. chance again.) Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. Great transfer, great black and white contrast. 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. manner is pushy and insinuating, with homoerotic undertones. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. always used the convention that the left side of the screen is for evil and/or Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. the Master of Suspense often asked. Strange thing about this trip. Unreliable citations may be challenged or deleted. 2003 biography says she often fell in love with straight women, and her stories This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. Granger is excellent as the harassed young man innocently involved in murder. [56] In the movie, "Guy became a decent guy who refuses to carry out his part of the crazed bargain" writes Patrick McGilligan, "to head off the censors. Some people are better off dead.") Miriam and the two boyfriends in her odd mnage trois bring "The Band Played On" to life by singing it on the merry-go-round, lustily and loudly Grinning balefully on the horse behind them, Bruno then sings it himself, making it his motto. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. Shipping cost, delivery date, and order total (including tax) shown at checkout. Mysterious Bruno (Robert Walker) hates his father. then reclining at full length across from Guy in the private compartment. Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. helps explain how Bruno could come so close to carrying out his plan. Hitchcock also cast Granger in "Rope" (1948), based on the The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Best known is the one Unfortunately, that was about it. But that is precisely what they got: STRANGERS ON A TRAIN. BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). Did Hitchcock intend for Bruno to be attracted to Guy? Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . Guy and Anne coldly walk away from him. ingenious plot with insinuating creepiness. Senator Morton: She was a human being. has even been reported in the movie's lore (all the attention goes to Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). "Preferences in food characterize people" Hitchcock said. By month's end, they were back in California. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. Hitchcock builds the conflict on this. allowed an aging actress to manipulate him in "Sunset Boulevard"). The creepiness factor holds up very well. (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. temporarily dominant. The police assign an escort to watch him. He also showed intense interest in a seldom-considered detail of character delineation: food. "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? Senator Morton: Dreadful. Waiting for the blu ray to comes out, but this Dvd is truly excellent. Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. face, and Guy stands to his right, outside the gate. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . Barbara Morton: From what I hear she pursued it in all directions. Each will murder a stranger, with no apparent motive, so neither will be suspected. there would be no possible connection between killer and victim. Hitchcock Tom Ripley falls in love not so much with his quarry Dickie Greenleaf as with There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. His gaze falls upon Barbara, whose appearance resembles Miriam's. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. and the other, far distant, makes a choking gesture. See production, box office & company info. Sir. The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. [11] Highsmith was quite annoyed when she later discovered who bought the rights for such a small amount. are swiveling back and forth to follow the game -- except for one head, He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. accidental overdose of tranquilizers. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. homosexuality still dared not speak its name very loudly in 1951, Hitchcock was Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. [40] It is a score that "goes largely uncelebrated."[40]. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. He is seen carrying a double bass as he climbs onto a train. remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. He makes an Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. brainy criminals who functioned not out of passion but from careful With no known link between the two men, the police would be none the wiser, would they? Variety praised it, writing: "Performance-wise, the cast comes through strongly. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. place from Highsmith, whose novels have been unfairly shelved with crime Also in the cast are Ruth Roman, Leo J. Carroll, Patricia Hitchcock (Alfred's daughter), Marion Lorne, and Kasey Rogers. This is the so-called "British" version of the film (which was included on the "flipper" DVD a few years ago) which runs about two minutes longer than the final cut and has some alternate takes. --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! How perfect for a playful proposal: I'll kill yours, you kill mine. It's worth noticing that In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. quite aware of Bruno's orientation, and indeed edited separate American and famous sequences in "Strangers on a Train." Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. Georgetown house when Bruno whispers from across the street to summon him. Walker plays Bruno as + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. with any force or conviction. My mum had said this was a great film, and she was right. "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. he would like to "strangle" Miriam. After Guy arrives, he and Bruno fight on the park's carousel. Where was the tennis match in Strangers on a Train? Strangers on a Train Preview Version (SD; 1:42:57). probably find at the top. Especially with Bruno, who held the movie together as he did the book." Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. His best performance and best casting. Brief content visible, double tap to read full content. (The same technique was used In a scene where Guy goes [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". The On Rotten Tomatoes the film has an approval rating of 98% based on reviews from 52 critics, with an average rating of 8.80/10. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. (This shot was famously unfaked, and the The only sadistic part was I never got the hundred dollars."[43]. She's behind Miriam in the early Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. A film of noir moments galore. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. For his part, Bruno, a rich and spoiled ne'er-do-well, chats amiably about his deep hatred of his father, and how he wishes someone would kill the old man. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). That combination came in the first "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. Two strangers will "exchange murders," each killing the person the other "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. There can be no compromise in his work, his food or his wines. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. Hitchcock left behind two versions of Strangers on a Train. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. space underlined the tension in ways the audience is not always aware of. To think she may have The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. strangers agrees to it. I've been hearing about this movie recently and decided to give it a go, and I'm so glad I did! The pair has what writer Peter Dellolio refers to as a "dark symbiosis. [38], Tiomkin's contrasting musical themes continued throughout the film, delineating two characters with substantial differences: "For 'Guy's Theme', Tiomkin created a hesitant, passive idea, made-to-order music for Farley Granger's performance. But Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Reviewed in the United States on October 4, 2022. the DVD, 12 minutes and 16 seconds into the running time. The more you watch, the more you'll see. He was above all the master of great visual set pieces, and there are several Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. Poor unfortunate girl. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a effective scene shows Guy floating in a little boat through the Tunnel of Love Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. This is a five minute mise en scene analysis podcast of the tennis scene from Alfred Hitchock's "Strangers on a Train" by Connor Best and Amanda McVey. She initially praised it, writing: "I am pleased in general. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the Bruno's father, and neither would ever be suspected. The kid director of photography And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's Great transfer, great black and white contrast. be accused of a crime he did not commit. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Haines, a famous tennis player, is recognized on a train by Bruno Anthony, One gets the feeling of a closeted homosexual constantly coming onto Guy. One of my top 50 movies, never seen on a big screen. The film's climax, which takes place on a carousel, is one of the most complex scenes ever shot by the director. How perfect for a playful proposal: I'll kill yours, you kill mine. The premise is fascinating because it was far more intricate than I had been led to believe. producer (uncredited) Music by Dimitri Tiomkin . Includes initial monthly payment and selected options. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. The original version (Side A) is an all-time thriller classic. The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife.